For more than a generation, historians and legal scholars have documented inequalities at the heart of American law and daily life and exposed inconsistencies in the generic category of 'American citizenship'. Welke draws on that wealth of historical, legal, and theoretical scholarship to offer a new paradigm of liberal selfhood and citizenship from the founding of the United States through the 1920s. Law and the Borders of Belonging in the Long Nineteenth Century United States questions understanding this period through a progressive narrative of expanding rights, revealing that it was characterized instead by a sustained commitment to borders of belonging of liberal selfhood, citizenship, and nation in which able white men's privilege depended on the subject status of disabled persons, racialized others, and women. Welke's conclusions pose challenging questions about the modern liberal democratic state that extend well beyond the temporal and geographic boundaries of the long-nineteenth-century United States.

For more than a generation, historians and legal scholars have documented inequalities at the heart of American law and daily life and exposed inconsistencies in the generic category of 'American citizenship'. Welke draws on that wealth of historical, legal, and theoretical scholarship to offer a new paradigm of liberal selfhood and citizenship from the founding of the United States through the 1920s. Law and the Borders of Belonging in the Long Nineteenth Century United States questions understanding this period through a progressive narrative of expanding rights, revealing that it was characterized instead by a sustained commitment to borders of belonging of liberal selfhood, citizenship, and nation in which able white men's privilege depended on the subject status of disabled persons, racialized others, and women. Welke's conclusions pose challenging questions about the modern liberal democratic state that extend well beyond the temporal and geographic boundaries of the long-nineteenth-century United States.

Through courtroom dramas from 1865 to 1920, Recasting American Liberty offers a dramatic reconsideration of the critical role railroads, and their urban counterpart, streetcars, played in transforming the conditions of individual liberty at the dawn of the 20th century. The three-part narrative, focusing on the law of accidental injury, nervous shock, and racial segregation in public transit, captures Americans' journey from a cultural and legal ethos celebrating manly independence and autonomy to one that recognized and sought to protect the individual against the corporate power, modern technology and modern urban space.

Through courtroom dramas from 1865 to 1920, Recasting American Liberty offers a dramatic reconsideration of the critical role railroads, and their urban counterpart, streetcars, played in transforming the conditions of individual liberty at the dawn of the 20th century. The three-part narrative, focusing on the law of accidental injury, nervous shock, and racial segregation in public transit, captures Americans' journey from a cultural and legal ethos celebrating manly independence and autonomy to one that recognized and sought to protect the individual against the corporate power, modern technology and modern urban space.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

"Jews and French Quebecers" recounts a saga of intense interest for the whole of Canada, let alone societies elsewhere. This work, now translated into English, represents the viewpoints of two friends from differing cultural and religious traditions. One is a French Quebecer and a Christian; the other is Jewish and also calls Quebec his home. Both men are bilingual.

Jacques Langlais and David Rome examine the merging -- through alterations of close co-operation and socio-political clashes -- of two Quebec ethno-cultural communities: one French, already rooted in the land of Quebec and its religio-cultural tradition; the other, Jewish, migrating from Europe through the last two centuries, equally rooted in its Jewish-Yiddish tradition.

In Quebec both communities have learned to build and live together as well as to share their respective cultural heritages. This remarkable experience, two hundred years of intercultural co-vivance, in a world fraught with ethnic tensions serves as a model for both Canada and other countries.

Born to a mother who did not want him and a father who humiliated him during his upbringing, Ingmar Bergman somehow endured his dysfunctional family to become one of the great artists of the twentieth century. However, the scars left from his early agony affected him both physically and emotionally. He suffered with a disabling psychosomatic gastrointestinal illness and serious problems in his interpersonal relationships. In The Persona of Ingmar Bergman: Conquering Demons through Film, Barbara Young looks at how the director's personal life shaped his creative output. A practicing psychiatrist and psychoanalyst, Young probes Bergman's relationships with his parents, his wives, his children, and his colleagues to explore the meanings of his many films. As Bergman gradually began to work through his psychological problems, he accomplished something that few people have ever done-he analyzed himself. The films examined in this study include the majority of his features, including The Seventh Seal, Wild Strawberries, The Virgin Spring, Through a Glass Darkly, The Hour of the Wolf, The Passion of Anna, Cries and Whispers, Face to Face, Autumn Sonata, Fanny and Alexander, and Persona. Young also draws upon recorded interviews and Bergman's autobiographical novels to provide further insight into the director's creative process. While many books have been written about Bergman and analysts have studied particular films, this volume represents a unique approach to understanding an artist through his art. The Persona of Ingmar Bergman will appeal to film and art students, as well as those in the psychotherapy profession, and of course, the director's fans throughout the world.